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DTSTAMP:20260823T061330Z
UID:46dc2aa1-2af9-4029-a7c8-30a8c6d9dd2d
DTSTART:20260718T153000
DTEND:20260718T180000
CLASS:PUBLIC
DESCRIPTION:The Who’s rock opera *Tommy* was a game-changer for rock ’n
 ’ roll when it came out in 1969. Rock had never heard something quite so
  ambitious (if a little incoherent) as guitarist-composer Pete Townsend’
 s sprawling story of a young boy shocked into becoming “deaf\, dumb and 
 blind” only to emerge as a pinball-playing messiah. The Who performed it
  at the Met\, and Townsend later turned it into a Broadway musical. But ev
 en in his wildest dreams\, he couldn’t have foreseen director Ken Russel
 l’s wild technicolor acid trip musical version\, with Oliver Reed as the
  stepdad\, our special guest\, the Oscar-nominated Ann-Margret\, as the mo
 ther driven mad\, and curly-haired Who singer Roger Daltrey as the cut you
 ng messiah. Cameos provide some of the best moments\, including Elton John
 ’s jealous\, giant-booted *Pinball Wizard* rival and Tina Turner as the 
 predatory Acid Queen. — *Doug Pullen*
LOCATION:Plaza Theatre Kendle Kidd Performance Hall
SUMMARY:Tommy
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